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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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3 Clarinettes (trio)
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Ocarina
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86
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69
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18
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18
Euphonium
17
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17
Cor
16
Trombone et Piano
10
2 Trompettes (duo)
10
Trompette (partie séparée)
9
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7
Trombone (partie séparée)
7
Tuba (partie séparée)
7
Cor et Piano
7
2 Trombones (duo)
6
Tuba
6
Cor (partie séparée)
3
Tuba et Piano
3
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Saxophone (duo)
2
Ensemble de Tubas
1
Trompette, Trombone, Piano
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4 Tubas
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Quatuor de Cuivres
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3 Tubas (trio)
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Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon
42
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35
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23
Alto seul
23
Violoncelle, Piano
22
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18
2 Violons (duo)
16
2 Violoncelles (duo)
16
Violoncelle
14
Alto, Piano
14
Harpe
12
Trio à Cordes: violon, alto, violoncelle
9
Alto (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon (partie séparée)
7
Contre Basse
5
Trio à cordes
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Alto (duo)
4
2 Altos (duo)
4
Contrebasse (partie séparée)
3
4 Violoncelles
2
Contrebasse, Piano (duo)
2
Violoncelle, Basse continue
2
Quatuor à cordes: 4 violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
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Piano Trio: Violon, Alto, Piano
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
103
Orchestre d'harmonie
97
Orchestre
39
Orchestre à Cordes
24
Jazz combo
17
Orchestre de chambre
11
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9
Cloches
8
Fanfare
4
Big band
2
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2
Percussion (partie séparée)
2
Batterie
2
Batterie (partie séparée)
1
3 Marimbas
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Xylophone
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AUTRES
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Vous avez sélectionné:
Ben E
Orchestre à Cordes
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Stand By Me
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1239457 By Ben E. King. By Be…
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String Orchestra - Level 3 - Digital Download SKU: A0.1239457 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Danl. Hip-Hop,R & B,Rock,Soul,Standards,Wedding. Score and Parts. 24 pages. Danl #834849. Published by Danl (A0.1239457). Stand by Me Arranged for string orchestra. This rockin' rhythmic rendition of the great Ben E. King classic is a great for developing rhythmic string playing techniques. Ghost bowing will help your playters master this groove, and who needs a drum kit if you know how to slap? Preperatory exercies included! (Includes string orchestra score and parts for Violin 1, Violin 2, Viola, Cello, and Bass as well as some preperatory rhytmic/technical exercises. Questions about the arrangement? You can reach Danl by email: dnjk27@gmail.com.
$50.00
46.67 €
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Orchestre à Cordes
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Ben E
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Danl
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Stand By Me
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Danl
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.814971 By Ben E. King. By Ben…
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String Orchestra - Level 4 - Digital Download SKU: A0.814971 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Julie Doubleday. Soul. Score and parts. 20 pages. Julie Doubleday #4727091. Published by Julie Doubleday (A0.814971). Stand By Me for String OrchestraScore and Parts.
$20.00
18.67 €
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Orchestre à Cordes
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Ben E
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Julie Doubleday
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Stand By Me
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Julie Doubleday
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.814968 By Ben E. King. By Ben…
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String Orchestra - Level 3 - Digital Download SKU: A0.814968 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Julie Doubleday. Soul. Score and parts. 10 pages. Julie Doubleday #4727085. Published by Julie Doubleday (A0.814968). Stand By Me for Intermediate String OrchestraScore and Parts.
$20.00
18.67 €
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Orchestre à Cordes
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Ben E
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Julie Doubleday
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Stand By Me
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Julie Doubleday
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.814969 By Ben E. King. By Ben…
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String Orchestra - Level 2 - Digital Download SKU: A0.814969 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Julie Doubleday. Soul. Score and parts. 10 pages. Julie Doubleday #4727089. Published by Julie Doubleday (A0.814969). Stand By Me for Junior String OrchestraScore and Parts.
$20.00
18.67 €
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Orchestre à Cordes
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Ben E
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Julie Doubleday
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Stand By Me
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Julie Doubleday
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SheetMusicPlus
Stand By Me (string orchestra)
Orchestre à Cordes
By Ben E. King. Arranged by Lena Seeger. Score, Set of Parts. 24 pages. Published by Lena …
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By Ben E. King. Arranged by Lena Seeger. Score, Set of Parts. 24 pages. Published by Lena Seeger (H0.174981-778900). - Score,Set of Parts - - Lena Seeger
$14.99
13.99 €
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Orchestre à Cordes
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Ben E
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Lena Seeger
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Stand By Me
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Lena Seeger
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SheetMusicPlus
Platti - Harpsichord Concerto No.5 in E flat major CSPla23 for Harpsichord and Strings
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.517359 Composed by Platti Gio…
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String Orchestra - Level 4 - Digital Download SKU: A0.517359 Composed by Platti Giovanni Benedetto. Arranged by Santino Cara. Baroque. Score and parts. 66 pages. Santino Cara #4622061. Published by Santino Cara (A0.517359). Complete score and parts of the Harpsichord Concerto No.5 in E flat major CSPla23 for Harpsichord obbligato and Strings by Giovanni Benedetto Platti (1697-1763). Reconstructed and elaborated by Santino Cara.
$18.40
17.17 €
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Orchestre à Cordes
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Platti Giovanni Benedetto
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Santino Cara
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Platti - Harpsichord Concerto No.5 in E flat major CSPla23 for Harpsichord and Strings
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Santino Cara
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SheetMusicPlus
Wir lieben den Sonnenberg - German Polka Octoberfest - String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1213863 By Thomas Graf. By Th…
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String Orchestra - Level 2 - Digital Download SKU: A0.1213863 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. Holiday,Multicultural,Patriotic,Pop,Traditional,World. Score and Parts. 17 pages. Thomas Graf - the-hit-factory.com #811062. Published by Thomas Graf - the-hit-factory.com (A0.1213863). Description coming soonAbout this arrangement:Â Composed by: Thomas H. GrafArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloContrabassAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$19.99
18.66 €
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Orchestre à Cordes
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Thomas Graf
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Thomas Graf
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Wir lieben den Sonnenberg - German Polka Octoberfest - String Orchestra
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.944031 Composed by Ofer Ben-A…
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String Orchestra - Level 4 - Digital Download SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.4 €
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Orchestre à Cordes
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Ofer Ben-Amots
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Klezmer Concerto - for clarinet, strings, harp, and percussion
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The Composer's Own Press
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SheetMusicPlus
Bring Me To Life
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1265704 By Evanescence. By Am…
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String Orchestra - Level 3 - Digital Download SKU: A0.1265704 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Christopher Bell. Pop,Rock. Score and Parts. 42 pages. Silent Home Records #858484. Published by Silent Home Records (A0.1265704). Orchestra, vocal soloist, symphony, drums, and piano. Original key of E minor. Approximately 3:45 long. Part info- Vocal solist part is in the original key, including lyrics. The male part is covered by Violin 1. - Drums - transcription of the original drum part. - The piano part is limited to just the intro and outro. Orchestra info- Violin 1 - takes care of high strings, background vocals and some harmonies to the soloist- Violin 2 - covers guitar part, some background vocals- Viola - covers part of guitar part- Cello - covers other half of guitar part - Bass - transcription of bass part from recording with some minor edits for playability.Â
$49.99
46.66 €
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Orchestre à Cordes
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Evanescence
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Christopher Bell
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Bring Me To Life
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Silent Home Records
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgeraldâs Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgeraldâs long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the shipâs hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, Weâre holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Andersonâs radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (Weâre holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethovenâs 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.32 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Shadow Of The Day
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.956273 By Linkin Park. By Bra…
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String Orchestra - Level 3 - Digital Download SKU: A0.956273 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Jared V. Robertson. Metal,Rock. Score and parts. 12 pages. Jared V. Robertson #6027055. Published by Jared V. Robertson (A0.956273). This version of Linkin Park's Shadow of the Day (2007) - a somber yet soaring ballad, and their first song in a major key- explores the many timbral possibilities of orchestral strings throughout all sections, with the optional drum set part adding a colorful rock groove. Ideal for intermediate to advanced string ensembles. Available with or without suggested bowings. Full score sold separately. Please contact me by e-mail with information about any planned readings, performances and/or recordings: jaredv.robertson@yahoo.com
$13.00
12.13 €
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Orchestre à Cordes
#
Linkin Park
#
Jared V
#
Full score sold separately
#
Shadow Of The Day
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Jared V. Robertson
#
SheetMusicPlus
I Left My Heart In San Francisco
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.568490 By Tony Bennett. By Ge…
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String Orchestra - Level 3 - Digital Download SKU: A0.568490 By Tony Bennett. By George Cory. Arranged by Thomas Graf. Jazz. Score and parts. 16 pages. Thomas Graf - the-hit-factory.com #2961393. Published by Thomas Graf - the-hit-factory.com (A0.568490). Best known as the signature song of Tony Bennett - this is a sophisticated arrangement, which brings you the full spirit of that marvelous song and itâs worth every minute of practice. Have fun! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/cQ2HMtIacXQ
$40.00
37.33 €
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Orchestre à Cordes
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Tony Bennett
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Thomas Graf
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I Left My Heart In San Francisco
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit.
$3.99
3.72 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Harlem Love Call: String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.852776 Composed by Keith Gemm…
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String Orchestra - Level 3 - Digital Download SKU: A0.852776 Composed by Keith Gemmell. Blues,Jazz,Standards. Score and parts. 18 pages. Keith Gemmell #115585. Published by Keith Gemmell (A0.852776). Add a touch of blues to your string orchestra repertoire with this lazy âoleâ tune in the style of early Duke Ellington, at the time he was playing New Yorkâs Cotton Club. In this type of number, Ellington typically used three clarinets playing a harmonised melody, which is why this tune, Harlem Love Call, works well with a string orchetra, the three clarinets being replaced by violins 1, violins 2 and violas. The celli and basses play a supporting role and propel everything along. Play it in a lazy fashion and bend a few notes here and there if you wish. Itâs that kind of piece. Note that it starts quietly at A and increases in volume through B and C. It quietens down at D and E is quieter still (pianissimo) through to the end. Length 2.30 mins.
$19.95
18.62 €
#
Orchestre à Cordes
#
Keith Gemmell
#
Harlem Love Call: String Orchestra
#
Keith Gemmell
#
SheetMusicPlus
Shadow Of The Day - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.956270 By Linkin Park. By Bra…
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String Orchestra - Level 4 - Digital Download SKU: A0.956270 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Jared V. Robertson. Rock. Score and parts. 13 pages. Jared V. Robertson #6027047. Published by Jared V. Robertson (A0.956270). This version of Linkin Park's Shadow of the Day (2007) - a somber yet soaring ballad, and their first song in a major key- explores the many timbral possibilities of orchestral strings throughout all sections, with the optional drum set part adding a colorful rock groove. Ideal for intermediate to advanced string ensembles. Available with or without suggested bowings. Parts sold separately. Please contact me by e-mail with information about any planned readings, performances and/or recordings: jaredv.robertson@yahoo.com
$13.00
12.13 €
#
Orchestre à Cordes
#
Linkin Park
#
Jared V
#
Shadow Of The Day - Score Only
#
Jared V. Robertson
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
The Concise String Method, Book 2- Teacher's Score
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.808194 Composed by Mark W. Hu…
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String Orchestra - Level 2 - Digital Download SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques. Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing. Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm Time signatures: 2/4, 3/4, 6/8 Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight, eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
$3.99
3.72 €
#
Orchestre à Cordes
#
Mark W
#
The Concise String Method, Book 2- Teacher's Score
#
Mark Wayne Music, LLC
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Shadow Of The Day - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.956271 By Linkin Park. By Bra…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.956271 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Jared V. Robertson. Rock. Score and parts. 13 pages. Jared V. Robertson #6027029. Published by Jared V. Robertson (A0.956271). This version of Linkin Park's Shadow of the Day (2007) - a somber yet soaring ballad, and their first song in a major key- explores the many timbral possibilities of orchestral strings throughout all sections, with the optional drum set part adding a colorful rock groove. Ideal for intermediate to advanced string ensembles. Available with or without suggested bowings. Parts sold separately. Please contact me by e-mail with information about any planned readings, performances and/or recordings: jaredv.robertson@yahoo.com
$13.00
12.13 €
#
Orchestre à Cordes
#
Linkin Park
#
Jared V
#
Shadow Of The Day - Score Only
#
Jared V. Robertson
#
SheetMusicPlus
Shadow Of The Day
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.956272 By Linkin Park. By Bra…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.956272 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Jared V. Robertson. Metal,Rock. Score and parts. 12 pages. Jared V. Robertson #6027039. Published by Jared V. Robertson (A0.956272). This version of Linkin Park's Shadow of the Day (2007) - a somber yet soaring ballad, and their first song in a major key- explores the many timbral possibilities of orchestral strings throughout all sections, with the optional drum set part adding a colorful rock groove. Ideal for intermediate to advanced string ensembles. Available with or without suggested bowings. Full score sold separately. Please contact me by e-mail with information about any planned readings, performances and/or recordings: jaredv.robertson@yahoo.com
$13.00
12.13 €
#
Orchestre à Cordes
#
Linkin Park
#
Jared V
#
Full score sold separately
#
Shadow Of The Day
#
Jared V. Robertson
#
SheetMusicPlus
Conto para Cordas no.3
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.498684 By Alexandre Guerra. B…
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String Orchestra - Level 3 - Digital Download SKU: A0.498684 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 31 pages. Alexandre Guerra #112209. Published by Alexandre Guerra (A0.498684). Tone Poem for String Orchestra inspired on the tale A Menina e o Pássaro Encantado by the Brazilian writer Rubens Alves.
$25.00
23.33 €
#
Orchestre à Cordes
#
Alexandre Guerra
#
Alexandre Guerra
#
Conto para Cordas no.3
#
Alexandre Guerra
#
SheetMusicPlus
Der Mond ist aufgegangen - German Folk Song - String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.567744 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.567744 Composed by Traditional. Arranged by Thomas Graf. Christmas,Easter,Romantic Period,World. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #504859. Published by Thomas Graf - the-hit-factory.com (A0.567744). Colorful arrangement of one of the most popular and surely one of the most beautiful German folk songs. Ein abwechslungsreiches und farbenfrohes Arrangement dieses wunderschönen deutschen Volksliedes, das perfekt geeignet ist für ein beschwingtes Frühlingskonzert. Instrumentation: Violin 1+2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/DWfiVE9NscI .
$14.99
13.99 €
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Orchestre à Cordes
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Traditional
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Thomas Graf
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Der Mond ist aufgegangen - German Folk Song - String Orchestra
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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